Sally Waterman’s interdisciplinary media arts practice is concerned with the interpretation of literature into self-portraiture. She creates poetic still and moving image works that explore issues of female subjectivity, memory and identity, drawing upon writers such as Henry James, Sylvia Plath and Virginia Woolf. Her doctoral research used T.S Eliot’s 1922 poem, ‘The Waste Land’ as an explorative text to examine her elusive self-representational strategies and interpretative methods, culminating in a collection of photographic and video installations (2005-2010). Waterman re-invents the source material through a fragmentary re-scripting exercise, seeking autobiographical associations with certain images, themes, characters or conceptual ideas. Indeed, the chosen literary text functions as a mechanism for self-representation, enabling the recollection and re-imagining of past trauma. Difficult, yet universal experiences of illness, conflict, loss and separation are illuminated through a cathartic transition from literature into visual art, where repressed memories are addressed through staging the self.
